Bringing in varied artistic input opened doors for creative implementation and compatibility over artistic outlooks.
Anand Shenoy‘s intervention on top of Vittala Temple, coherently surmounts the extravagant architectural showpiece of Hampi.
Keerthana Chandragiri‘s interposing hands betwixt all that art dialogue, leave a sublime impression.
Diya Pinto with her piece on top of the older mural of the Elephant stable from Hampi, with her Zentangle techniques, gave it her own artistic rendering by creating beautiful images from structured patterns, while the various hand-gestures and protruding legs could indicate new ties being made or risks being entailed into the city’s infrastructure.
Paramesh S. set a great example for others to follow with his minimal yet fervent display of boulders being moved- an apt way to tackle the old vis-à-vis the new.
Left: Anusha Vikram’s partcipatory mural
Top right: Griffith Allan’s mural
Bottom right: Niketh, artist hailing from Karwar, in action, intervening on the house boat mural.
Graphic atmosphere researchers 